Narrative distance doesn’t have to be consistent

Using examples from Hemingway, author Ron MacLean has written a wonderfully concise post on the Grub Street website demolishing the oft-taught maxim that narrative distance should remain constant over the course of a piece of writing.

Keyhole

Narrative distance is analogous to shot choices in movie making, such as close-ups, POV, wide shots, birds-eye view, etc. There is absolutely no reason (other than a desire to be ridiculously pedantic) for maintaining a single distance over an entire novel or story any more than using the same shots throughout a movie. Thanks for the insight, Ron!

Photo credit: katerha / Foter.com / CC BY

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