Setting isn’t the same thing as location

I’m getting back on the horse. That’s if the horse’s Latin name was equus socialmedius. In other words, I’m trying to post more often. Now that the first draft of Starley’s Rust has been written and is in the hands of my editor, I can put more time into blogging, posting, tweeting, and, um, tumbling.

Horses being social, without the use of media.

Horses being social, without the use of media.

That being said, I’m wary of spending too much time on social media work compared to, you know, work work. But to help stoke the flames of the buzzfire without having to write 800 words every day or two, I’ve decided to write more frequent shorter blog posts with links to articles by other writers or in the media (like yesterday’s post). So here’s another one. It’s short, but it makes a very good point. It’s written by an “award-winning author and paid CreateSpace contributor” by the name of Richard Ridley.

He’s written this concise article about the crucial difference between location and setting. Very good advice. I’ll add another cent to his two cents: basically, if you’re describing scenery, it had better have an emotional impact for the reader, otherwise you might as well be writing an IKEA catalog.

 

Photo credit: Βethan / Foter / Creative Commons Attribution-NonCommercial-NoDerivs 2.0 Generic (CC BY-NC-ND 2.0)

 

 

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